Monthly Archives: May 2010

DTR-005 Fiya “Room For One More” 7″

This is the fifth record I put out, sort of…  The 3rd was a CDR compilation of  Dead Tank releases and friends bands, the 4th was going to be a Kite Flying Discography –  that was taking too long and Init Records wanted to do it more, and yes – OK.   This was the fifth.

At the time I had only known Fiya through the “s/t” 7″ they released with Travis Fristoe’s Obscurist Press.  I loved that 7″.   I always had copies of it in my distro aas well as the CDR version the band made.   Somewhere in all that nonsense I saw them play a few times – probably constantly heckling  “I want to release your next record” over and over.

And so it happened.  And at the time, I knew the record was great.  But seriously –  every time I listen to it it gets better.   I even included some lyrics from the last song “Room For One More.”

About 80 of the records had these silk screened covers, the rest were printed at Imprint.

Room For One More

What now? We’ve got our back catalogues. We’ve got our frames of reference. We’ve got our identities. Yeah, and we’ve got mounting debts, and we’ve got alcohol shakes, and we’ve got fading hopes, and we’ve growing guilt, and history to threaten us, privilege to fall back on, vivid fear to run from, less and less time to spare. And who among us didn’t believe that she could defy her circumstances, that he could surpass his destiny, that we could create our destiny?   But we talk like fucking asholes now. Our lives warn against hope. Our words punish hope. We act like fucking assholes now, prescribe failure and compromise, predict defeat and repetition and humiliation.

Download it here –


Buttons rule everything around me

Yeah, I was thinking I should have something to do.  You know, with my spare time.

And here it is –

That’s just some stock internet photo or something.  I don’t think my adult self would be down to have carpet in the house.

Photo of the Week


American Cheeseburger at Yesterdays in Jacksonville.  2004 / 2005 ?

DTR-002 Darius Axis 7″

The second record I released. For fans of Evergreen and Braid – with some Gainesville quirkiness just for fun.  I love this record and loved seeing these guys play live.   The newer stuff they recorded made it to a cdr.  I’ll find that and eventually put it up as well.

Download it here –

Garden Time

Too many bugs on the tomatoes.   But in the other area of the garden the beans are pest free and doing great. We took out three of the overgrown tomato plants and put in space for beans.  Good times.

DTR-001 The South “Chomp Chomp Chomp” LP

So I’m thinking posting up random records I love would be a good thing.  I recently got some fancy Tascam USB recorder that also handles phono inputs. So here we go.

Here’s the first record I ever released, The South “Chomp Chomp Chomp” LP on Dead Tank Records.  A link to download the whole album is at the bottom of this post.

I pressed 300 of them on black vinyl and was very new to the whole idea of pressing records.   I was very excited when this distributor in the UK wanted 20 of so copies of the LP. Here’s a review here wrote for his website

“I knew this record would be awesome from the moment I laid eyes upon it. Although I know you should never judge a record by it’s cover. This one is screened and messy and gave me an inkling of what to expect before I even slapped it onto the turntable. And I guess it’s appropriate that I ended up reviewing this LP on the same day that I reviewed the Pine album. These two bands have done more to renew my faith in hardcore than any other new bands in recent time. Both ooze the intangible qualities that make me swoon over a record like it was a 2 day old kitten. It’s tough to explain why certain LP’s make me want to bay to all and sundry who enjoy a certain style of music that they should check an album out. But the South are one of those bands that subconciously urge me to run around telling everyone who’ll listen to “check out the South! check out the South!”.

Chomp! is 8 tracks of pure fire and passion. It burns with a sincerity that so few bands evoke for me, they have the fury and they have the spirit. It’s not that common, but every now and again you get a politicized emo band, one which has something to say on a level other than the personal one. Yaphet Kotto is one of those bands. The South is another, they engender that rare feeling of awe in me, the feeling I got when hearing things like the first YK 7″ or the first Pine 7″ or a multitude of other records that most people are not particularly bothered about. And that’s fair play. Different records have different effects on folk, and that’s exactly the way it should be.

How many emo bands have song titles like “the Foundations of America Were Built on Religious Facism and Dinosaurs”? Heh. They’d probably hate me for calling them emo. But that’s the sound they have. Powerful screaming, guitars that hurtle along, wobbling precipitously on spider web thin melodies, before crashing into intense grooves that thunder along. They also can hit with a terrifying force, “Fire in the Hole” has moments where it is absolutely nitro fueled and brings the blitz with full effect, and just check out the rather peculiarly named “Crazy Dave Lied About His Shoes” which just plain detonates.

The record is liberally (hoho) sprinkled with some awesome samples from old time Americans and speeches, really adding to the whole political feel that the band eminates. That element makes me want to compare them to the aforementioned Yaphet Kotto. Musically that is a fair thing to say at times, though they are also decidedly different, and I won’t demean them by running off a list of other bands that play this kind of thing. The South are worth more than that. All that remains for me to say is: if you like the same records that I do, you MUST get this.”

Download the album here –

Random Photo of the Week.

Picture 273

One year anniversary of Inertia Records.